It didn’t start with Monster. It started earlier this year, with a general rehearsal. Meloe invited me to a Generalprobe of (WHAT YOU'LL FIND) ON THE WAY TO BECOMING A SOMATIC RITUAL by Ta-Nia. No big framing, no expectation. Just: come. At the time, it felt casual. In hindsight, it was precise. It pulled me back into theatre. Not as a child participating, like I once did at Junges Theater Gessneralle, but as someone watching differently. Less absorbed. More aware. Watching n

An evening at the Kunsthaus Zürich became more than a vernissage. Reflecting on the opening of Kerry James Marshall: The Histories, this essay explores how one exhibition quietly shifts the historical center of gravity within a European museum and what that moment means culturally, historically, and socially for Switzerland.