A presentation used to reveal something about the effort behind it. Not necessarily the quality of the thinking, but at least the hours spent formatting, resizing, aligning and trying to make one slide look as if it belonged with the next. That relationship between time and polish has now broken. Today, a set of rough notes can become a visually coherent presentation in minutes. A proposal can become a webpage. A long document can be reorganised into a concise explainer. Soci

It didn’t start with Monster. It started earlier this year, with a general rehearsal. Meloe invited me to a Generalprobe of (WHAT YOU'LL FIND) ON THE WAY TO BECOMING A SOMATIC RITUAL by Ta-Nia. No big framing, no expectation. Just: come. At the time, it felt casual. In hindsight, it was precise. It pulled me back into theatre. Not as a child participating, like I once did at Junges Theater Gessneralle, but as someone watching differently. Less absorbed. More aware. Watching n

This reflection sits at the intersection of diaspora and the geopolitics of the art market. It explores how perspective is shaped, how visibility is constructed, and how cultural institutions operate not outside of power, but within it.

At a Patagonia storytelling breakfast hosted at Impact Hub Zürich, climbers, community organizers, and outdoor advocates gathered to explore a deceptively simple question: who actually feels at home in the outdoors? Drawing on research, lived experience, and initiatives such as Alpinehearts and Colour Your Trail, the conversation revealed how belonging in nature is shaped not only by landscapes, but also by culture, community, and the invitations that open new paths.

What can a postage stamp reveal about how culture moves through Switzerland? A reflection on Giacometti, institutions, and the quiet infrastructure of cultural memory.

An evening at the Kunsthaus Zürich became more than a vernissage. Reflecting on the opening of Kerry James Marshall: The Histories, this essay explores how one exhibition quietly shifts the historical center of gravity within a European museum and what that moment means culturally, historically, and socially for Switzerland.

What drew me in wasn’t an abstract theme, but Kourtney as a person. Kourtney as a practice. A way of thinking through the body rather than around it. Three Black women. On a spectrum of Blackness, creativity, curatorial responsibility, and curiosity. Each of us shaped by different contexts — the US' South, Switzerland, Europe and beyond — yet meeting in the same question: how do we move between institutions and intimacy without losing ourselves?

(What You’ll Find) On the Way to Becoming is not a play that explains itself. It creates a shared space and observes what happens when people are trusted to arrive on their own terms. Participation is invited, never required. Stillness is as valid as movement. What unfolds is not spectacle, but attention — collective, unranked, and quietly transformative.